I don’t like any of the samples I have received! This company must be terrible! Sometimes you can receive a group of samples that just don’t appeal to you, it happens. Most of the time a client doesn’t know or can’t precisely describe what kind of logo he wants or what image he is looking for. For that reason, a good designer will try to question the client as much as possible regarding their preferences and tastes in logos, but this is not always sufficient. Also note that sometimes an idea may seem good at first thought, but looking at the results on paper you could realize that you don’t like them at all. It is natural to get upset if you have received a package of samples that don’t suit you, but it`s important to understand that since you are not buying a premade product, bad surprises are not impossible nor improbable. Look at a batch of bad initial samples as just another step towards a great final design. It is highly unlikely that you will utterly hate everything about the samples presented. You can pick and combine different elements from them - font, color, object, layout – into one great logo. Even if the samples are really terrible, you could tell the designers precisely what you don’t like about them, which will help them avoid similar mistakes in the next samples. A bad batch of samples, depending on your view of it, can be a glass half empty or a glass half full. It’s a setback, perhaps, but the second round has a much greater chance of success.

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There is a big debate over the complexity of a logo. There are some obvious benefits to simple logos. They are by far the most versatile and easily identifiable. Just look at the logos of Apple, Sony, Honda, Nike, or Guci. These logos are easy to reproduce in any size and any color, even black and white. They are easy to embroider or emboss on nearly any apparel or material. These logos are easy to make out from afar and easy to identify. Not everything about simple logos is so great, though. It is extremely difficult to come up with a new shape and make it interesting. If you look at Nike’s logo, it is not a piece of art per say, but it is a unique shape, which makes the logo timeless and original. From a client’s point of view paying money for a simple square or half a circle just isn’t worth it. We often hear our clients say: “Well this is not very creative” or “I could have made the same logo myself”. Indeed, simple logos (sometimes just a letter or a simple geometrical shape) just don’t look like much work has gone into them. And yet, take a look at the most famous and recognized logos out there: IBM, JVC, Google, DELL, IKEA... Read the rest of this entry »

In part 1 of this blog post series, we looked at the process of developing a brief for a graphic logo design project. Asking the right questions in order to build up a scope for the project is a crucial first step for the graphic designer, who needs to obtain enough information about the company, its values and the image it wishes to portray, to be able to develop a striking and instantly recognizable logo. There inevitably comes a point in this process however, where the designer needs to start actually designing, so what happens next? While each graphic designer has their own modus operandi, the design process generally starts with a good old fashioned sketch. Forget your Photoshops and your Illustrators for the time being, a graphic designer’s real best friend at this stage is a 2B pencil and a piece of paper. Read the rest of this entry »

The role of the graphic designer in creating a great logo for a particular company is a very important job – that logo will be used on the company’s advertising and marketing materials, on their website, on emails, on letterheads and stationery. It speaks volumes about the company’s ethos, its style, its purpose. A logo is a focus point for the eye, and a point of reference for the brain. Read the rest of this entry »

LogoBee`s second logo design tutorial is released Immediately following the release of their first logo design tutorial, LogoBee wastes no time before releasing a new one! This new tutorial describes the creation of the shiny sphere. This is an interesting project, encompassing the use of some new techniques such as the gradient mesh tool and transparency. The techniques described apply to Illustrator CS3 and CS4. Once again, we hope that many users will enjoy the tutorial and find it very useful and interesting. Click here to go to the tutorial

LogoBee releases first logo design tutorial

LogoBee proudly announces the release of our first logo design tutorial. We have received numerous inquiries about one popular logo design from our portfolio. As a result, a new logo design tutorial has been released to accommodate those requests. Inside, you will find detailed instructions on how to build this image, along with high-res screenshots of the actual workspace in Adobe Illustrator. These techniques apply to Illustrator CS3 and CS4. We hope that this will provide a useful resource for experienced designers and graphic design enthusiasts alike. LogoBee hopes to add many more in the future. Click here to go to the tutorial page